Initial Ideas for Scenes

How far does Blade Runner reflect the auteur signature features of Riddley Scott?

Riddley Scott is seen by many as a filmmaker whose individual style and complete control over all elements of production gives a film its personal and unique stamp – this is known as an auteur. Scott is known for his notable films such as 'Alien' (1979), 'Gladiator' (2000), 'Prometheus' (2012), and of course 'Blade Runner' (1982). One element of Scott's films that contributes to the auteur theory is his narratives are often stories of Horror, Science Fiction/Fantasy, or historical events. 'Blade Runner' is undoubtable a Science Fiction/Fantasy film but interestingly further includes conventions of Horror as well. All his films center around a pivotal event, mostly on a short timeline, that surround escaping or finding something. For 'Alien', it's escaping the alien planet and the Xenomorph, in 'Gladiator', it's escaping slavery and avenging his family and 'Blade Runner' follows the narrative pattern by trackin

'With close reference to two scenes from 'Pan's Labyrinth', explore how cinematography and mise-en-scène create meaning.'

' P an’s L abyrinth ' is one of the most profound contemporary films. Comprising so many symbols, themes and ideas, it presents a genuine masterpiece bequeathed to the film industry by a magnificent Mexican director, Guillermo del Toro. Released in 2006, it was critica lly lauded with 3 Academy Award wins in 2007 for Best Makeup, Art Direction and Cinematography. It is widely regarded as Del Toro's definitive film. A key scene in the film is when Ofelia meets the Faun, as it is the beginning of her fantasy adventures and he gives her the book which inspires her to complete all the tasks that he sets. The scene begins when the fairy leads Ofelia to the Labyrinth. The fairy itself changes its form to what Ofelia imagines a fairy should look like – according to her story books. This suggests that the whole world that Ofelia is about to enter is based upon her own imaginations and poses the question of what is real and what is not. The lighting of

‘Crimson Peak’ (2015) Scene Analysis ‘Crimson Peak’ is a Fantasy/Mystery movie from the director Guillermo del Toro, famous for previous works such as ‘Pan’s Labyrinth’. Here I will analyse one key scene that takes part towards the start of the movie, looking at the technical and literal aspects. The scene opens with the main character, a young woman Edith (Mia Wasikowska) walking down a dim-lit gothic corridor, this use of mise-en-scène suggests that the time period of the film is late 19th century or early 20th century, and the audience receives strong connotations of horror stereotypes, giving us the impression that something scary or unnatural is about to occur. This hyper sense of reality also complies to the norms of the directors style. Looking at the character of Edith, del Toro has chosen to present her with long golden-blonde hair. This demonstrates her femininity which can lead the audience to believe that she is perhaps fragile and delicate, meaning that we feel more co

Elise Booth Film Studies

Search This Blog