'An auteur production is a "vehicle for making 'significant statements'. To what extent would you agree with this view point when making a comparison between your chosen films'
'The Lady from Shanghai' (1948) and ' Blade Runner': The Directors Cut (1992) can both be shown as making significant statements about the power struggle of women in context to when the films were released. The Lady from Shanghai exemplifies the tensions between a studio (Columbia) and auteur (Welles). Despite heavy studio cuts, the film remains a visually striking, unsettling film noir, notable for exceptional chiaroscuro lighting, compositions and camerawork. Blade Runner is a bleak and dystopian neo noir fable that draws on the conventions of film noir and science fiction. D e spite Ridley Scott encountering similar production issues as Orson Welles, the film's i mpressively oppressive aesthetics crossing at times into the absurd draw the spectator into a horrific version of the future that puts the death humanity at its cent er through its exploratio...