Stanley Kubrick Auteur Presentation

My presentation: http://prezi.com/adjoexwnggbd/?utm_campaign=share&utm_medium=copy

Key aspects that my peers thought I did well:

Included a variety of information and hidden themes throughout Kubrick's work
Used videos, images and information
Very detailed, with lots of care and effort
Supported facts with examples
Very aesthetically pleasing - loved the way each slide was set out at different points of the page
Very well constructed

Key areas for development

Include more auteur theory phrases if possible and further prove his themes
Too much motion in the prezi

Moving forward I am going to produce a Video Essay to further support my presentation, which I will link below:

Comments

'With close reference to two scenes from 'Pan's Labyrinth', explore how cinematography and mise-en-scène create meaning.'

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How far does Blade Runner reflect the auteur signature features of Riddley Scott?

Riddley Scott is seen by many as a filmmaker whose individual style and complete control over all elements of production gives a film its personal and unique stamp – this is known as an auteur. Scott is known for his notable films such as 'Alien' (1979), 'Gladiator' (2000), 'Prometheus' (2012), and of course 'Blade Runner' (1982). One element of Scott's films that contributes to the auteur theory is his narratives are often stories of Horror, Science Fiction/Fantasy, or historical events. 'Blade Runner' is undoubtable a Science Fiction/Fantasy film but interestingly further includes conventions of Horror as well. All his films center around a pivotal event, mostly on a short timeline, that surround escaping or finding something. For 'Alien', it's escaping the alien planet and the Xenomorph, in 'Gladiator', it's escaping slavery and avenging his family and 'Blade Runner' follows the narrative pattern by trackin

Review 'Lolita' (1997) Arguab ly one of the most controversial films of its decade, Adrian Lyne's 'Lolita' is a captivating adaptation of the highly acclaimed Vladimir Nabokov's 1955 novel of the same title. Comparing Lyne's adaptation to the earlier Stanley Kubrick's 'Lolita' of 1962, I was rather surprised to much prefer Lyne's take on the story. C onsidering how sexual a lot of Stanley Kubrick's films are, his version of Lolita is restrained in the sexual aspects of the story, failing to go where its story begs for it to go to. It fades to black in key sequences, and lets the audience imagine what is happening between Professor Humbert and Lolita. I feel as though director Adrian Lyne decided he wanted to do another take on Nabokov’s novel, taking the detail further and really showcasing the powerful dynamic between the characters, and allowing the audience to feel moved by the unsett ling storyline of

Elise Booth Film Studies

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